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‘New Year’s Eve’ romps through infectious grooves, Rototom blasts, electrifying breakdowns, and meditative reprieves. Along with the pedal-fueled trickery and musical prowess fans have come to expect from El Ten Eleven, the new album channels their love of disco.
On his new album in nearly a decade, Johnston shakes off the typical Southern Americana sound and presents a lush, loud, and eloquent meditation on the human experience.
‘Bitchcraf’ is like Joni Mitchell set to a click track, it’s queer Cyndi Lauper. It’s neon pink, in your face, ready to hex you with its brilliance.
Returning to his electro-pop roots after collaborations with 80’s pop star Tiffany, The Dandy Warhols and Styrofoam, ‘New Money’ is Logan’s 10th studio album, but first for Kill Rock Stars.
‘Rebirth’, is a debut album of rare intensity. Crushing riffs colliding with sweeping waves of overwhelming noise, both beautiful and brutal.
Smile’s (Björn Yttling of Peter, Bjorn & John and Joakim Åhlund from Teddy Bears/Caesars) latest album has echoes of motorik krautrock, analogue synths and Ennio Morricone-style cinematic soundscapes.
Gareth Liddiard (The Drones, Tropical Fuck Storm), Jim White (Xylouris White, Dirty Three) & Chris Abrahams (The Necks) are Springtime.
Studded with stories of mortality, the challenges of addiction and sobriety, and the romance of a lifetime, ‘Spiral Groove’ encapsulates all of our existential questions into tidy love songs.
The Toronto-based band are releasing their second album which finds them drifting away from buzzing ’90s-inspired indie-rock and shoegaze into expansive, dreamlike territories while honing their chops and learning how to write folk.
‘Voices From the Empty Moor’ seeks to honour the mystery and beauty of Anne Briggs’ music while maintaining its own unique perspective, foregrounding powerful emotion and magical transformation.