For an artist like Mac McCaughan, the answer lies in experimentation – testing his voice in a different light, deconstructing it, sometimes relegating it elsewhere or removing it altogether as the piece dictates.

After nearly a decade, Melbourne trio, Children Collide are back with their long-awaited fourth album, ‘Time Itself’.

Almost a decade since Goat first emerged from the depths of Korpilombo, there is still no other band on earth that sounds quite like them!

LA trio, Tashaki Miyaki, explorers of dreamy, hazy, melodic guitar pop have expaned their musical palette with songs that are haunting, catchy and soothing.

After a hiatus of over eight years Cambridge-based post-folk collective, Fuzzy Lights, are making a welcome return.

The new album was recorded at the legendary FAME Recording Studios in Muscle Shoals, Alabama and features Spooner Oldham on electric piano and Will McFarlane on lead guitar.

Dave Keuning is back with his second solo album – a mix of dynamic guitar riffs, 80s synth-pop and melodic alt-rock.

The character of the recordings are informed with warm fuzz and intimate room sounds. The songs are short blasts of psychedelic chill, a rummage around an alien radio dial.

Trevor Sensor’s new record is a body of work that laments both internal and external feelings of exile from modern life – decorated with lonesome scenes of small town America.

From deep emotional melodies to freak out jams, folk-pop ballads to synth rock ‘n’ roll epics, along with his hand drawn artwork and animated music videos, Paul Jacobs truly creates a world of his own.

The new solo album, ‘Reason to Live’ from the legendary Lou Barlow, is shambolic and grand yet intimate and doting, warmly acoustic and crackling with grit.

For this new LP, Greg Cartwright has reunited with Reigning Sound’s original ‘Memphis line-up’. Another welcome dose of garage rock and Memphis soul.