alvesed99 
The Toronto-based band are releasing their second album which finds them drifting away from buzzing ’90s-inspired indie-rock and shoegaze into expansive, dreamlike territories while honing their chops and learning how to write folk.
‘Voices From the Empty Moor’ seeks to honour the mystery and beauty of Anne Briggs’ music while maintaining its own unique perspective, foregrounding powerful emotion and magical transformation.
The four desert punks meld together to bring a magnetic, dramatic air to each song, delivering romping punk and the occasional piercing scream.
Three women bassists/singers from classic Swiss post-punk bands dot their insistent, minimal music with drum patterns, synths, chants, commands and joyous wordplay.
New Zeland’s Reb Fountain effortlessly combines pop elements with her trademark noir folk-punk sound; weaving authentic tunes that create an instant and indelible impression.
For an artist like Mac McCaughan, the answer lies in experimentation – testing his voice in a different light, deconstructing it, sometimes relegating it elsewhere or removing it altogether as the piece dictates.
After nearly a decade, Melbourne trio, Children Collide are back with their long-awaited fourth album, ‘Time Itself’.
Almost a decade since Goat first emerged from the depths of Korpilombo, there is still no other band on earth that sounds quite like them!
LA trio, Tashaki Miyaki, explorers of dreamy, hazy, melodic guitar pop have expaned their musical palette with songs that are haunting, catchy and soothing.
After a hiatus of over eight years Cambridge-based post-folk collective, Fuzzy Lights, are making a welcome return.