It’s one thing to have founded a notable band dedicated to exploring the possibilities of psychedelic exploration in many different sounds and styles. But it’s arguably pretty darn rare to have done it, as Jeffrey Alexander has, four separate times. First emerging with the Iditarod in the mid-1990s before a later world oversimplified their sound … Read more
Dead Pioneers is rooted in creating a sound influenced by the punk aesthetic, with an edge built on a First Peoples perspective, tackling political and social issues.
‘Death Hilarious’ is a diversely punishing record that shape shifts through Sabbathian doom, grotesquely minimalist noise rock and cyclical post-metal fortissimos.
Jeffrey Lewis has perfected a scuzzy, urban style of indie-folk, developing from late-90s New York City bedroom tapes into a mighty 21st Century mash-up of folksy spiel and artsy garage, like Pete Seeger meeting Sonic Youth.
Diving into the richness of folklore, XIXA expand on their mystic, psychedelic rock, reaching more into their Latin influences to create a musical and lyrical narrative for the new album.
An evolution of sound where post-rock and shoegaze congregate. Meet Parastatic!
Summoning rhythmically-driven rituals in unmistakable, uplifting and scintillating style, Goat are equally adept at igniting dancefloors and expanding minds.
‘1967: Vacations In The Past’ is a selection of the hit songs of 1967 re-recorded acoustically by Robyn Hitchcock and friends.
Dead Pioneers is rooted in creating and performing a sound heavily influenced by the punk aesthetic, with an edge built on a First Peoples perspective tackling political and social issues.
Propelled by melodies that at times recall Galaxie 500 and The Pretenders, Melbourne’s Quivers make music that is both tender and tough.