Jeffrey Lewis has perfected a scuzzy, urban style of indie-folk, developing from late-90s New York City bedroom tapes into a mighty 21st Century mash-up of folksy spiel and artsy garage, like Pete Seeger meeting Sonic Youth.
An evolution of sound where post-rock and shoegaze congregate. Meet Parastatic!
Summoning rhythmically-driven rituals in unmistakable, uplifting and scintillating style, Goat are equally adept at igniting dancefloors and expanding minds.
Propelled by melodies that at times recall Galaxie 500 and The Pretenders, Melbourne’s Quivers make music that is both tender and tough.
The follow-up to their critically debut, Bummer Year. The new album trades the Americana sound for clanging post-punk guitars and expansive indie rock.
‘Fool’s Parade’ has the dynamic of a tight live set, full of ebbs and flows, highs and lows, quiet moments and reckless jams.
The Minneapolis indie rock duo are back with their fourth album, out in April and a UK tour this May.
The sixteenth studio album from British noise-rock pioneers, The Telescopes, was originally recorded over two sessions back in 2013. The album is a lost treasure that nearly never was.
It’s been a decade since we last heard new music from Marnie Stern, but when her guitar bursts in like a shower of stardust on ‘The Comeback Kid’, it’s like no time has passed.
After building their sound on their debut LP, ‘Shirushi’, through careful assembly of Japanese folk, psychedelia, Brazilian surf rock, and other far-flung touchstones, TEKE::TEKE are back with their second album.