The sixteenth studio album from British noise-rock pioneers, The Telescopes, was originally recorded over two sessions back in 2013. The album is a lost treasure that nearly never was.
It’s been a decade since we last heard new music from Marnie Stern, but when her guitar bursts in like a shower of stardust on ‘The Comeback Kid’, it’s like no time has passed.
‘Base & Superstructure’ marks a new sonic departure for Meatraffle, godfathers of the now infamous South London scene, centred around the Windmill in Brixton.
After building their sound on their debut LP, ‘Shirushi’, through careful assembly of Japanese folk, psychedelia, Brazilian surf rock, and other far-flung touchstones, TEKE::TEKE are back with their second album.
Esben and The Witch’s sixth album, ‘Hold Sacred’, is a product of the trio’s deeply important, 14-year-spanning friendship.
Formed in a North Carolina in 2012, The Nude Party celebrate the clanging rock of the ’60s while blending modern elements that have made them beloved by fans of all ages.
After 17 years and 8 albums, New Jersey’s Screaming Females are still making their own path in the world, still touring and releasing music without compromise.
With lo-fi indie rock, accordion, singing saw, tape collages, the so-called “zanzithophone” and beyond, Neutral Milk Hotel created an eternal entry into their Elephant 6 scene.
Nick Mitchell Maiato and James Toth return with their third album, a joyful-sounding record which deepens the band’s connection to the cosmic American heritage.
New Zealand’s Tall Dwarfs showed a whole generation of musicians what could be done at home on a 4-track and what magic could be made if you mixed pop melodies and hooks galore with homemade sounds.