alvesed99 
On Ghost Woman’s latest album, there is a darker, denser feel compared to previous releases, but the vibe of this album is more akin to what the project was supposed to be when it started in 2016
It’s been a decade since we last heard new music from Marnie Stern, but when her guitar bursts in like a shower of stardust on ‘The Comeback Kid’, it’s like no time has passed.
‘PAWS’ is a succinct, razor wire encased documentary chronicling the pains of modern living, delving into the dark underbelly of 90s alternative rock.
Goat’s new album does away with any need to dwell on the past, returning with a more introspective, slightly mellower psych-folk sound that remains recognisably them.
Theatrical, bombastic, dancing on the line between the macabre and the comical, ‘Of Darkness and Light’ is a celebration of the hooks and swagger and almighty power of rock.
‘Base & Superstructure’ marks a new sonic departure for Meatraffle, godfathers of the now infamous South London scene, centred around the Windmill in Brixton.
The Oakland-based musician and writer has centred his queerness and Blackness in the punk/electro-clash band, Gravy Train!!!! and The Younger Lovers, as well as in his award-winning books.
After a run of critically acclaimed heavy rock and industrial-tinged records, Shamir now transmutes his anxiety to alternately subdued and soaring alt-pop songs.
After building their sound on their debut LP, ‘Shirushi’, through careful assembly of Japanese folk, psychedelia, Brazilian surf rock, and other far-flung touchstones, TEKE::TEKE are back with their second album.
Lyrical and genre-bending, Tuplin’s music blends alt-folk, indie rock and synth pop with the occasional psychedelic soundscape thrown in for taste.