‘Death Hilarious’ is a diversely punishing record that shape shifts through Sabbathian doom, grotesquely minimalist noise rock and cyclical post-metal fortissimos.
Jeffrey Lewis has perfected a scuzzy, urban style of indie-folk, developing from late-90s New York City bedroom tapes into a mighty 21st Century mash-up of folksy spiel and artsy garage, like Pete Seeger meeting Sonic Youth.
Diving into the richness of folklore, XIXA expand on their mystic, psychedelic rock, reaching more into their Latin influences to create a musical and lyrical narrative for the new album.
An evolution of sound where post-rock and shoegaze congregate. Meet Parastatic!
Summoning rhythmically-driven rituals in unmistakable, uplifting and scintillating style, Goat are equally adept at igniting dancefloors and expanding minds.
‘1967: Vacations In The Past’ is a selection of the hit songs of 1967 re-recorded acoustically by Robyn Hitchcock and friends.
Dead Pioneers is rooted in creating and performing a sound heavily influenced by the punk aesthetic, with an edge built on a First Peoples perspective tackling political and social issues.
Propelled by melodies that at times recall Galaxie 500 and The Pretenders, Melbourne’s Quivers make music that is both tender and tough.
The follow-up to their critically debut, Bummer Year. The new album trades the Americana sound for clanging post-punk guitars and expansive indie rock.
‘Fool’s Parade’ has the dynamic of a tight live set, full of ebbs and flows, highs and lows, quiet moments and reckless jams.