The sixteenth studio album from British noise-rock pioneers, The Telescopes, was originally recorded over two sessions back in 2013. The album is a lost treasure that nearly never was.
Amidst a busy solo career with releases via Flying Nun Records and Dead Oceans, Kane Strang formed Office Dog at the end of 2021.
It’s been a decade since we last heard new music from Marnie Stern, but when her guitar bursts in like a shower of stardust on ‘The Comeback Kid’, it’s like no time has passed.
Theatrical, bombastic, dancing on the line between the macabre and the comical, ‘Of Darkness and Light’ is a celebration of the hooks and swagger and almighty power of rock.
‘Base & Superstructure’ marks a new sonic departure for Meatraffle, godfathers of the now infamous South London scene, centred around the Windmill in Brixton.
After building their sound on their debut LP, ‘Shirushi’, through careful assembly of Japanese folk, psychedelia, Brazilian surf rock, and other far-flung touchstones, TEKE::TEKE are back with their second album.
Esben and The Witch’s sixth album, ‘Hold Sacred’, is a product of the trio’s deeply important, 14-year-spanning friendship.
With its roots in indie-rock but featuring an array of instruments, off-kilter time signatures and experimental track structures,the band have earned comparisons to the likes of Radiohead and Explosions in The Sky.
Formed in a North Carolina in 2012, The Nude Party celebrate the clanging rock of the ’60s while blending modern elements that have made them beloved by fans of all ages.
After 17 years and 8 albums, New Jersey’s Screaming Females are still making their own path in the world, still touring and releasing music without compromise.