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Goat’s new album does away with any need to dwell on the past, returning with a more introspective, slightly mellower psych-folk sound that remains recognisably them.
Theatrical, bombastic, dancing on the line between the macabre and the comical, ‘Of Darkness and Light’ is a celebration of the hooks and swagger and almighty power of rock.
‘Base & Superstructure’ marks a new sonic departure for Meatraffle, godfathers of the now infamous South London scene, centred around the Windmill in Brixton.
The Oakland-based musician and writer has centred his queerness and Blackness in the punk/electro-clash band, Gravy Train!!!! and The Younger Lovers, as well as in his award-winning books.
After a run of critically acclaimed heavy rock and industrial-tinged records, Shamir now transmutes his anxiety to alternately subdued and soaring alt-pop songs.
After building their sound on their debut LP, ‘Shirushi’, through careful assembly of Japanese folk, psychedelia, Brazilian surf rock, and other far-flung touchstones, TEKE::TEKE are back with their second album.
Lyrical and genre-bending, Tuplin’s music blends alt-folk, indie rock and synth pop with the occasional psychedelic soundscape thrown in for taste.
Electronic duo, Tanlines, are still making escapist, joyful-sounding songs about sad, insular moments, and melancholy songs about catharsis and joy.
Esben and The Witch’s sixth album, ‘Hold Sacred’, is a product of the trio’s deeply important, 14-year-spanning friendship.
With its roots in indie-rock but featuring an array of instruments, off-kilter time signatures and experimental track structures,the band have earned comparisons to the likes of Radiohead and Explosions in The Sky.