Out now via Western Vinyl
“apocalyptic mountain music…curiously unsettling…Jones lets a little light in, if only to show how dark the world can be.”
Self-described “ambient folk musician” Stone Jack Jones’ third album Ancestor is coming out 31st March on Western Vinyl.
Based in Nashville, but raised in a coal miner’s company house on the banks of Buffalo Creek, WV, Stone Jack Jones is the descendant of four generations of coal miners.
After being rejected from military service in Vietnam due to epilepsy, and discouraged from pursuing the coal mining business, Jack decided to start wandering. By the time he landed in Nashville, where he met Roger Moutenot, Patty Griffin, and Kurt Wagner, Jack had worked as a carny, an escape artist, a ballet dancer, a professional lute player, and even owned a late night performance art club in Atlanta.
Ancestor was produced with Roger Moutenot (known for his work with Yo La Tengo, Sleater Kinney, They Might Be Giants) and features collaborations with Patty Griffin and notable Nashvillians including Lambchop’s Ryan Norris, Scott Martin and Kurt Wagner as well as Lylas’ Kyle Hamlett. The tales on Ancestor distill Jack’s lifetime of experience into songs that use the esoteric narratives of an American rambler to elucidate the celestial worlds within each of us. Intensely meditative, the album patiently explores the hardness of the coal mines, the mystery of suicide, the comfort of a dog’s acceptance, the idea that forgetting all you know can be the first step towards hearing and reconnecting with your muse, and one man’s gratitude for the love he’s been given and the life he’s had the chance to live.
As Lambchop’s Kurt Wagner describes it, Ancestor is “long and languid, moving none too fast, there’s alcohol and rope in the air. There ought to be a place, a bar, or barn, where this music plays from p.a. suspended in the middle of the room like those ones they used in the civil defense strapped to polls in the neighborhoods of the 60s, 50s.. Fan shaped horns arranged in a center cluster…there’s nostalgic allusion and ghostly nods to a world only Jack knows, and perhaps his god knows.”