‘The Beautiful Madness’ was recorded with the Stiff Boys aka all the Drive-By Truckers as Jerry’s backing band. Its the first time the Truckers have recorded with Jason Isbell since he left the band in 2007.

‘Blonde On The Tracks’ (produced by Wilco’s Patrick Sansone) is Emma’s ‘reimagining’ of some of her favourite Bob Dylan songs.

Ganser evoke the Midwest noise-rock legacy of bands like Jesus Lizard and Shellac, while embracing a more colorful palette of post-punk and art rock influences.

Feynman uses his dual persona like a needle and thread to stitch art pop, Nigerian highlife, and worldbeat into a musical quilt that displays his eccentric songcraft.

TENGGER is a traveling musical family, made up of itta and Marqido, who craft synthy new age meditations indebted to the earth around them.

Jade Hairpins is the brainchild of Jonah Falco and Mike Haliechuk of Fucked Up infamy.

Jason Simon brings together ideas from his band’s records displayed on a new instrumental dimension lying somewhere between cosmic psychedelia, backwoods Americana, and intimate folk.

SAVAK’s new album shows the truths about our delusions in the decay of democracy, but the songs also invoke dreams for the future.

On ‘Flight of Ideas’, space-rock duo Warm Digits burst into technicolour with a pounding post-punk pulse.

‘Best Wishes’ balances ethereal musicality with visceral expressiveness.

Mixed by Grammy-winning producer John Congleton, this is Maserati’s most compelling mélange of triumphant guitar hooks, abstract synth-pop, and Wax Trax-inspired noise anthems.